

The world is a crazy place and two things fascinate me the most:
1) Finding compelling stories.
2) Giving them a voice and a shape.
Stories are omnipresent. For instance, when I am walking down the street, my senses are constantly scanning the surroundings, looking for potential stories. To acknowledge what drives a great story is probably my curiosity. Asking "Why?" is plausibly the most prominent thing I have learnt over time.
"The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon."
I have been a contributer for The Wire.in, The Tribal Box and also have been selected for National Geographic India and BBC Travel
Video documentaries, the powerhouse of storytelling, hold a great potential in revolutionizing today's multimedia journalism.
Bagalkot Flood Rehabilitation Camp, 2019
As I walked across the camp where 40 homeless families have taken refuge, I found sheer misery. The broken clock hanging at the corner was stuck at 1 AM. There was no electricity. Brief showers of rain were extremely erratic. While people stared blankly at the dampened walls, some resorted to alcohol to seek solace. Even though Red Cross have been providing them with relief materials every few days, they are out of food or water. This little boy stood at the corner, silent, away from everyone. He didn't speak much. As I pointed my camera at him a smile gleamed across his face. But I anticipated, and suddenly the smile faded away, his eyes lit up with a very familiar dazzle. As I walked away from the camp I was reminded of a girl I had met last year at Varanasi. Zoya, her eyes had the same dazzle. These eyes seem to follow me everywhere, each assignment, a new pair waits to haunt me afresh.
Shot for @ircskarnataka @indianredcrosssociety
Help to rebuild Karnataka,
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